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An 80s flick synonymous with perhaps the most popular action genre of the eighties: the buddy-cop movie. In the wake of Lethal Weapon, there were many variations of the formula. Perhaps the most testosterone-fuelled was this 1989 cult classic that paired Sylvester Stallone and Kurt Russell as Los Angeles cops framed by Jack Palance’s evil drug lord. With generous helpings of style, odd-couple quips, and tons of action, the movie was a box office hit. But behind the scenes, it was a mess, with the producers going through (at least) two directors and two cinematographers with a fast-approaching release date and pressure from the studio. So check your stock portfolios, brush up on your English lessons, and keep the mice out of the maze as Tim Williams and guest co-host, JB Huffman from "Manly Movies" Podcast discuss “Tango & Cash” from 1989 on this episode of the 80s Flick Flashback Podcast.
Here are some additional behind-the-scenes trivia we were unable to cover in this episode:
Sources:
Wikipedia, IMDB, Rotten Tomatoes, BoxOfficeMojo
https://www.joblo.com/tango-and-cash-1989-sylvester-stallone-revisited/
https://www.eightieskids.com/20-surprising-facts-you-probably-didnt-know-about-tango-and-cash/
Some sections were composed by ChatGPT
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Podcaster & Film Critic
J.B. Huffman is an Alabama-based independent film critic whose writing you can find in small doses on Letterboxd. He hosts a biweekly podcast called Manly Movies, where he and a guest discuss their favorite movies and the lessons they teach us about being a man. Being a husband and a father of two, personal growth in the calling that men have is one of his biggest passions, and movies can be a tremendous tool to help us through that. J.B.’s main goal in film criticism is to find the good in everything he watches because there is an audience for every film, and every filmmaker should get a certain level of respect in that regard. His favorite tagline is “not all five stars are created equal,” meaning that a film that perfectly accomplishes the goal that was set out by its director deserves the highest rating, regardless of its technical quality or awards status. He finds that viewing film through those two lenses makes for a more enjoyable experience.
